Ray Billingsley didn’t much like his second-floor Harlem home on Bradhurst Avenue back then. It was affordable — this being the mid-’80s — but he felt isolated, and he knew crime was a threat: “One evening while in bed with the window open, I actually heard three guys planning on burglarizing my apartment.”

Yet this setting was also where, later that night after going to bed, Billingsley drew inspiration. He awoke with a creative burst. “I had a vision of these two kids. I sketched them down in the dark and went back to sleep. That morning, I found the first images of Curtis and Barry.”

There they were, two cartoon brothers — the taller one wearing Curtis’s signature ball cap, the shorter one in suspenders. With minimal line work, he had rendered his future.